Selections from: PRISONERS OF OBSESSION

CHAPTER 7 - THE BOX

Cressid stares at the distant red window. Whoever lives there has to be a hooker; no normal person would paint a place that color. Hooking, now there’s a job. You make good money and get to have sex. It’s what her mother probably thinks she does anyway. The dispenser of birth control pills clicks softly in her hand. Tina’s always having sex. But then, she’s 23 with a boyfriend. Tina doesn’t know how old Cressid is. Cressid wishes she didn’t either. In the gospel according to Mom anyone who’s 30, still a secretary, and not married has to be breaking some kind of law.

She squints at the container trying to read the imprint on one of the pills. Why steal from your only friend? For that matter, why give up your virginity to two sixth grade boys in the shop storeroom? Cressid remembers their grunting nervousness and bleeding on a pile of towels. Everything would have been fine if she hadn’t borrowed that steak knife and made those little, practice cuts on her leg. Blood on the sheets and not from her period. Which is how she met the psychiatrist. “Low self esteem.” That always cracked her up. With mom bitching about the cost every time she had a session. So that was over in a month. So, yeah, fuck Tina! She’s going to wind up with half a dozen kids anyway. Might as well start sooner rather than later.

Tonight the box receives a last offering, and tomorrow she will empty it. Someplace dangerous this time. Down by the river maybe. A shiver of anticipation runs down her back as she closes the blinds. The fluttering in her chest begins. No matter how many times the ritual plays out she always feels like maybe she’s going to be sick. She faces the closet, takes a breath, and opens it. The smell of clothes is comforting as she reaches in between and finds the box.

Minutes later, the lights are out and it rests in the center of the coffee table. It’s from Pakistan, made of inlaid wood, taller and deeper than a shoe box, with a top that folds back to form a shallow tray. She opens it. The scent of incense, musk and sweat drifts out. She puts candles in two finger-sized metal cups mounted on tray and lights them, follows with a stick of incense, and begins emptying the box. First out is a hardwood ruler which she places carefully on the sofa. Next come five pairs of girl’s panties, these are placed one by one on the lid. A travel sized tube of toothpaste, a piece of pound cake (still in its wrapper), a red and yellow Swatch wristwatch, a colorful Caribbean Top shell, and a silver-dollar-sized button sporting the words: My Karma Ran Over My Dogma are put on the coffee table to the right of the box. These are followed by a tampon carrier containing three of a possible four tampons, a framed photo of a little boy, an open pack of roll aids, and a butterfly pin made of Sterling silver filigree which are placed on the left.

Except for the panties all the items have been stolen. The five on the right represent “little” thefts, those on the left, “big.” Little thefts are relatively meaningless, like the toothpaste (a quick shoplift in the drug store), and the button (taken from the wall of its owner’s cubicle when she was out to lunch). “Big” is reserved for more complex endeavors, when the act causes serious embarrassment, emotional pain, or someone else gets blamed. Tonight she’s going through big ones.

The roll aids: Her boss’s boss has a terrible acid problem and a hateful assistant who complains endlessly about running personal errands. By stealing them on the day of a particularly harrowing meeting, she made sure the condescending bitch had to hurry to the store for an emergency purchase. That one almost didn’t count.

The tampons vanished at the absolutely wrong moment and precipitated an embarrassing accident for a girl at work she didn’t like.

The little boy in the photo is the nephew of Fat Margot in word processing. The butterfly pin was just to see if she could do it and carries a lot of baggage. A sweet, older woman who runs the costume jewelry counter at an indoor flea-market thinks Cressid looks like her granddaughter. It was easy to steal the pin. Now she hates herself for it.

It’s time to begin.

She places Tina’s birth control pills in the center of the empty box, removes her jeans and underwear, and, making sure she can see herself in the bookcase mirror, she bends over sofa and reaches for the ruler.


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